After realizing that it's nearly impossible to show conservative political art in galleries, I set about to market myself independently. It would be unfair to say no one has been willing to show my work, just very few. One of the best shows I have had was at The Apache Cafe in Atlanta, just before the 2008 election. I showed most of my early political paintings and some sculpture at that show and enjoyed discussing the work with the audience who were predominantly liberal. At the same time, I participated in an underground show as the token conservative artist just a few blocks away. Other than that, I get very few opportunities that do not require me to donate all or a large portion of the sale of my art to the venue.

We could debate all day why this is the case, but there's really no point. As a libertarian, I don't believe anyone owes me anything and it's a waste of my time to fight a system that is currently set against the work I create. So, I put together a web page (with the help of my husband) and started social networking like a madwoman. Somewhere along the way, Christopher Cook of Modern Conservative and Western Free Press got in touch with me and we started working together. Three years and many hours of hard work later, Liberatchik has evolved into a group of conservative fine artists with a gallery to display their work and a blog for their writing or press about their art. (Those interested in submitting work for consideration should contact frances@machinepolitick.com for more information on the jury process and submission guidelines. Liberatchik is not a social network, it is the face of a fine art movement - work is juried and articles are reviewed by an editor before posting for continuity and professionalism.)

Though our reach is currently limited to what two people can accomplish working around full time jobs and family responsibilities, we are building an impressive group of artists and faithful followers. One of our artists, William Harris, organized an art show for our work at a Tea Party event in Michigan. In 2011, Christopher and I went to CPAC where I distributed a booklet I made with work representing our group at the time. Incidentally, that is where I connected with BDMM, although I didn't have the opportunity to speak to Lisa Mei in person. I am grateful to her for getting in touch with me and cultivating our current relationship, because my feelings about conservative culture were much worse when I left. Of course, the problem is not with what she or I are trying to accomplish, but with the general mindset conservatives have about the arts. Fortunately, we have had a few opportunities to work together since then and help promote each other's work.

I am looking forward to a long relationship and hopefully working together in person some day. Until then, please tune in for Friday's Off the Hook show for my interview.

Frances Byrd is the National Director of Liberatchik.com. She is also a conservative political artist and blogger. Her art can be viewed at MachinePolitick.com.

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Comment by Frances Byrd on January 11, 2013 at 2:05pm

Thanks Patty. We can't do it without support from the conservative community. Your encouragement is greatly appreciated!


Brigade
Comment by Patty Smith on January 9, 2013 at 11:15pm

Very cool! Congratulations on all your accomplishments and good luck on the future of your site! :) I'm proud of you guys!

Comment by Frances Byrd on January 9, 2013 at 12:34pm

That's ok, pressure helps me stay focused!

You're right about work ethic and determination being issues for any artist. There seems to be a mindset that society owes us something because we make art, when in fact, an artist should approach their work as a business if they expect to sell it. I can't tell you how frustrating it is to want to show work and not be able to get people to follow simple submission and editing guidelines or meet a deadline.

I also believe many artists are so invested in the need for people to like their work that they consider disinterest or disagreement to be an indication of their talent. As conservative artists, we need a thick skin and perseverance to create a market where virtually none exists. I have seen a great deal of change in this regard over the ten years I have been creating political paintings, but most of that change has come in the last three years. You don't change minds or create new markets over night.


Brigade
Comment by Richard Gibbs on January 9, 2013 at 11:42am

Artists, for the most part but ESPECIALLY Artists Of The Right, not only needs a thick skin but a work ethic, or more precise a detrermination of their work, which you have. What we need are folks who CAN get out there with our works, to the right places. I truly believe you are one of these who will lead. I'm sure of it. (No pressure, of course). GRIN!

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